Hello Readers!
This blog is a response to a task given by Dr. Dilip Barad as we had a Photography workshop by Mr. Kaushik Ghelani at The Department of English, MKBU.
1. Rule of Thirds: This principle involves dividing your image frame into a grid of nine equal parts using two horizontal lines and two vertical lines. The points where these lines intersect are the points of interest. Placing key elements at or along these lines can result in a balanced and visually appealing composition. It also can be seen as three different layer of one photo.
2. Golden Point (Golden Ratio): The Golden Ratio is a mathematical concept often used in art and design. It suggests that certain proportions, such as a line divided into two segments in a specific ratio, create aesthetically pleasing compositions. Placing subjects or points of interest according to this ratio can result in harmonious images.
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By Kaushik Ghelani |
3. Center Focus Rule: Placing your subject at the center of the frame can create a strong and direct visual impact. This approach works well when you want to emphasize the subject's symmetry or create a sense of stability.
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| By Kaushik Ghelani |
4. Symmetry: Symmetry involves arranging elements in an image so that they are balanced and mirror each other across a central axis. Symmetrical compositions can create a sense of harmony, order, and calmness in an image.
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| By Kaushik Ghelani |
5. Geometrical Shapes: Incorporating geometric shapes (such as circles, triangles, and squares) into your composition can add structure and visual interest. These shapes can guide the viewer's eye and create a dynamic visual experience.
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| By Kaushik Ghelani |
6. Learning Lines: Learning lines are implied or actual lines in an image that guide the viewer's eye and create a sense of movement. These lines can be straight, diagonal, or curved, and they help lead the viewer's gaze through the composition.
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| By Kaushik Ghelani |
7. Head/Leading Room: This refers to the space in front of a subject's face or the direction in which a subject is looking or moving. Providing adequate head or leading room ensures that the subject has space to "breathe" and move within the frame, preventing a cramped or claustrophobic look.
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| By Kaushik Ghelani |
8. Depth of Field: Depth of field refers to the range of distances in a scene that appear acceptably sharp in an image. A shallow depth of field results in a blurred background and a sharp subject, while a deep depth of field keeps more of the scene in focus.
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| By Kaushik Ghelani |
These principles are tools that photographers use to create compelling and visually engaging images. All these rules are intertwined with each other as well.
Breathing Space:
Allowing breathing space within each image is of paramount importance, as it plays a pivotal role in conveying the essence of the photograph. Adequate space around the main subject helps create a balanced composition that draws the viewer's attention to the subject while also providing context.
It defines negative Space and emphasizes the main subject of a Photo, drawing an eye to it.
Negative Space:
In photography, it's crucial to consider the negative space within a photo. Negative space refers to the areas around the main subject that are intentionally left empty. Excessive negative space can distract from the essence or story of the photograph, making it important to exclude unnecessary empty areas that don't contribute to the overall message.
Negative Space Photography is related to minimalist Photography. It emphasizes not just the subject but also the empty space around the subject.
Breaking Rules:
While understanding and applying photography principles can undoubtedly enhance your work, it's essential to remember that breaking these rules creatively can lead to unique and captivating results. Pushing the boundaries and experimenting with unconventional approaches can yield visually engaging outcomes that stand out.
Here I am Uploading the photographs that I and my Classmate took during the Second Session of the Workshop.
The top three selected photographs for winning positions were as follows: Avani Jani secured the first place, followed by Dhruvi who achieved the second rank from the Life Science Department, and Drashti Joshi stood third. Additionally, Kaushik Sir appreciated the photographs of some other students also.
During the concluding part of the workshop, Dhatri, Bhumiba, and I shared our feedback. We mentioned that the workshop greatly aided us in learning numerous new aspects of cameras and photography. Hina conveyed the vote of thanks, and Ghanshyam & Megha Ma'am presented a booklet to Kaushik Sir.
The workshop was an incredibly enriching experience, and I am truly grateful to Kaushik Sir for dedicating his time to teach us these skills. I also extend my appreciation to Dr. Dilip Barad sir for his constant encouragement, as well as to Vaidehi Ma'am and Megha Ma'am for organizing this workshop and providing us with a new way to explore. At last we took a group Photo and made one another memory. Finally, we Captured a group Photo, Creating another memory.
Thanks to the Students from Life Science Department also for their Presence.
Thanks for Visiting!
